Tag Archives: apple

apple, asus, google, microsoft, open source, professional

Half-baked Android tablets will help Apple, give hope to Microsoft

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The downside of open is fragmentation. CES earlier this month was overflowing with Android tablets and smartphones, but since anyone can use Android, device manufacturers may disappoint users, for example by shipping tablets that do not use a version of Android designed for tablets, or shipping devices that do not have access to the official Android Market.

The Inquirer reported yesterday that the Asus tablets announced at CES will not in fact ship with Android 3.0 Honeycomb. The reason stated is that:

because the company did not know the detailed technical specifications requirements of the Android 3.0 Honeycomb operating system, it could not confirm that Honeycomb will be the tablets’ OS.

Although it is stated that the tablets will ship with Android 2.3 Gingerbread, I get the impression that Asus might upgrade them to Honeycomb eventually; and since they are now apparently not due until the third quarter there is time for plans to change.

Not all Android devices have Google’s official compatibility blessing.  The frequently asked questions make a good read:

Anyone is welcome to use the Android source code, but if the device isn’t compatible, it’s not considered part of the Android ecosystem.

Only devices that have passed Google’s compatibility tests get access to the Android Market. This leads to a surprising situation for users: you might buy an Android tablet or smartphone and find that it has no access to the Android Market.

Vendors can get round this to some extent by creating their own Android app stores, though this kind of fragmentation is likely to have a bad outcome, with a limited selection of apps and insufficient market share to attract developer attention.

This means that a handy question to ask a salesman is: does this gadget have the Android Market? If the answer is anything less than a demo of the official Google Android Market client, that is reason for caution.

The context is that all these devices have to compete with Apple; and the App Store is a significant part of the appeal of iOS devices. Therefore an Android device without access to the Android Market is disadvantaged, though it is not something you are likely to find mentioned on the box.

There is an obvious danger for Android, that customers confronted with a vast range of Android offerings will find it hard to distinguish between what is excellent, what is reasonable, and horrible implementations like the Next Tablet.

Even the element of uncertainty is enough to help Apple, which is likely to announce a second generation iPad soon. It may even give hope to Microsoft, depending on when “Windows 8” tablets come to market and how good they prove to be.

The challenge for Google is how to keep Android open, while also preventing its brand from being damaged by too many sub-standard devices.

google, java, microsoft, open source, professional, web authoring

Google flexes its Chrome browser muscles, removes support for H.264 video – but what about Adobe Flash?

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Google has announced that it will remove support for the H.264 video codec in its Chrome browser:

…we are changing Chrome’s HTML5 <video> support to make it consistent with the codecs already supported by the open Chromium project. Specifically, we are supporting the WebM (VP8) and Theora video codecs, and will consider adding support for other high-quality open codecs in the future. Though H.264 plays an important role in video, as our goal is to enable open innovation, support for the codec will be removed and our resources directed towards completely open codec technologies.

The reason given is that Google wishes to support open standards. That sounds good for open standards, but not so good for users who simply want a video to play.

Google’s position contrasts that of Microsoft with IE9:

In its HTML5 support, IE9 will support playback of H.264 video as well as VP8 video when the user has installed a VP8 codec on Windows

Still, at least IE9 will play VP8 if the codec is installed, so that makes VP8 look a better option for content providers – which is the outcome Google is hoping for.

I have mixed feelings about this approach, because while it is good for open standards it is bad for compatibility. I am also not sure that it is consistent. Google announced in June that it is integrating Adobe Flash support into the browser; yet Flash is not an open standard.

That also suggests that H.264 video will still play in Chrome, provided it is in a Flash wrapper.

Maybe Google is learning from Apple how to deprecate technologies by removing support. Apple refuses to allow Java or Flash on iOS, and has stopped doing its own build of Java for OS X. Apple has also stated that these “optional” components may not be used in apps that are deployed in the Mac App Store, thus making a disincentive for developers considering those runtimes.

Apple has not squashed Flash though; and Google may find it equally hard to squash H.264, which is widely supported throughout the industry, has the best tools, and for which hardware is optimised. Apple supports H.264 but is unlikely to support WebM or Theora any time soon. Here’s what Apple CEO Steve Jobs said in April 2010:

To achieve long battery life when playing video, mobile devices must decode the video in hardware; decoding it in software uses too much power. Many of the chips used in modern mobile devices contain a decoder called H.264 – an industry standard that is used in every Blu-ray DVD player and has been adopted by Apple, Google (YouTube), Vimeo, Netflix and many other companies.

Although Flash has recently added support for H.264, the video on almost all Flash websites currently requires an older generation decoder that is not implemented in mobile chips and must be run in software. The difference is striking: on an iPhone, for example, H.264 videos play for up to 10 hours, while videos decoded in software play for less than 5 hours before the battery is fully drained.

When websites re-encode their videos using H.264, they can offer them without using Flash at all. They play perfectly in browsers like Apple’s Safari and Google’s Chrome without any plugins whatsoever, and look great on iPhones, iPods and iPads.

It seems Jobs spoke too soon when he said H.264 would play perfectly in Chrome.

Post updated to add Apple quote

audio, mobile, music industry

Spotify everywhere: now on Logitech Squeezebox as well as Sonos, Smartphones

Spotify, the music streaming service, has announced a partnership with Logitech to enable subscribers to play music via Squeezebox. Logitech already has a partnership with Napster for a similar service, but Spotify is winning in terms of usability, ubiquity and mind share.

It follows a similar agreement last September between Spotify and Sonos, a Squeezbox rival. The company has also announced support for Windows Phone 7, which joins Apple iPhone/iPad, Google Android, and Nokia Symbian among supported smartphones.

Spotify is available for free on a PC or Mac, but supported by advertising, making it like a commercial radio station where you choose the music. However only paying subscribers get the benefit of using the service from these other platforms.

In my view streaming is the future of mainstream music distribution, so I see this as significant. Why pay for downloads, when you can choose from a vast catalogue and play what you want when you want?

The main snag with Spotify is that some artists are not available on the service, and some countries (including the USA) cannot get Spotify. Still, if it builds a big enough customer base, the music industry may find it cannot do without the service.

adobe, apple, java, oracle, professional

No Java or Adobe AIR apps in Apple’s Mac App Store

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Apple’s App Store Review Guidelines appear to forbid Java or Adobe AIR applications from being published in the store:

Apps that use deprecated or optionally installed technologies (e.g., Java, [PowerPC code requiring] Rosetta) will be rejected.

Since Adobe AIR is not shipped by default with OS X, any applications requiring that runtime will not qualify. Java is forbidden because Apple has deprecated its own build of Java; and while it seems supportive of Oracle’s official OpenJDK project for Mac OS X, apparently that support does not extend to allowing Java apps into the store.

Of course it is not only Java and Adobe AIR that are affected, but any apps that need a runtime.

There are many other provisions, most of which seem sensible in order to protect the user’s experience with the App Store. Some of them have potential for causing controversy:

Apps that duplicate apps already in the App Store may be rejected, particularly if there are many of them. Apps that are not very useful or do not provide any lasting entertainment value may be rejected.

What defines duplication in this context? How will Apple test whether an app has “lasting entertainment value” – I presume this refers to games.

The situation on Mac OS X is different than on the iPhone or iPad, since users can easily install apps via other routes. That said, if the App Store catches on then not being included may become a significant disadvantage. Further, it will not surprise me if Apple starts hinting that non-approved apps carry more risk to the user, so that some users might decide to avoid anything without this official stamp of approval.

I wonder if Adobe will do a Flash packager for the Mac similar to that which it offers for iOS, to get round these restrictions?

apple, microsoft, professional, software, software development, vista, windows

Apple’s Mac App Store – and the forgotten Windows Marketplace

Apple launched the Mac App Store yesterday and I had a look this morning. It is only available to users of Mac OS X Snow Leopard, where it comes with the latest system update.

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It is interesting that Apple has not used iTunes for the App Store, but has developed new client software. Maybe it is coming round to opinion that iTunes has become bloated; it is only for historic reasons that a music player has become an all-purpose app installer.

The store itself worked well for me. I picked a free app, TextWrangler, and signed in with my Apple ID. The UI showed Installing, then Installed, and I was done.

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The TextWrangler icon appeared in the Dock so I could start the app easily.

What counts is what I did not have to do – reboot, select from setup options, or deal with perplexing error messages.

Users will also like the common-sense licensing, which lets you download and install a purchased app on any Mac you use, controlled by your App Store log-in. I am not sure what happens if you install your app on your friend’s Mac, then sign out of the App Store. There is some link between the app and your Apple ID, because if you copy the application to another Mac it will ask for your sign-in details when you first run it, but I am not clear whether this is checked on every run to deter piracy.

Most important, there is an attractive range of apps at good prices. In the UK, Angry Birds is £2.99, Pinball HD £1.79, and Apple Pages or Keynote £11.99 each. That is less than typical Apple Store shrink-wrap prices. The prices for Pages and Keynote makes the price Microsoft charges for Office look impossibly expensive. Good for customers; but worrying for independent software vendors who want to make a living.

Developers pay $99.00 per year to join the Mac Developer Program and then 30% commission to Apple on every sale. Of course, like the iPhone App Store, apps are subject to Apple’s approval.

Lest you think it is clever of Apple to invent an app store for the desktop, it is worth noting that the concept is an old one. Linux has delivered free software like this for years, and some distributions have also featured paid app installers integrated into the OS.

So has Microsoft, which has run various varieties of Windows Marketplace over the years, for mobile and desktop applications. Windows Vista shipped with an app store for both Microsoft and third-party apps built-in. It was on the Start menu:

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as well as in Control Panel:

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On November 1st 2008 Microsoft shut down Windows Marketplace and “transitioned” it to a referral site. There was some angst at the time about the closing of the digital locker, which proved insecure against the threat of corporate mind-changing. It still runs the online Microsoft Store, but this is for Microsoft-only products. For example, you can download Microsoft Songsmith for £25.00:

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Why did Windows Marketplace fail? Well, the user experience was poor, it was insufficiently prominent in the Vista user interface, setup could be troublesome. Major Windows app vendors figured out that they would be better off drawing potential customers to their own web sites, where they have full control. As is often the case, Microsoft was conflicted over whether it wanted to drive customers to the online store, or to partner retailers, or to app vendor sites; and the OEMs would have their say as well, when customising Windows for their own PCs.

Another factor is that Windows apps are often not well isolated. Silverlight actually solves this problem – out-of-browser apps are well isolated and secure – but Microsoft does not even ship Silverlight by default with Windows.

The indications are that Microsoft will have another go in Windows 8. Documents leaked last year show an app store. From my post at the time:

There’s a pattern here. Microsoft gets bright idea – Tablet, Windows Marketplace, Passport. Does half-baked implementation which flops. Apple or Google works out how to do it right. Microsoft copies them.

apple, music industry

2010 a bad year for UK music sales as CDs decline and paid-for downloads fail to compensate

The BPI has reported figures for 2010 music sales in the UK. In brief, digital (download) album sales increased from 16.1m to 21m (+4.9m); but CD sales declined from 112.5m to 98.5m (-14m).

To be fair, the “singles” market – that is, individual tracks downloaded – rose from 152.7m to 161.8m (+9.1m). If an album contains on average 12 tracks, that would be roughly equivalent to another 0.75m albums. CD single sales are tiny at 1.9m.

Overall it is still a significant decline. What is most worrying for the industry is that CD sales still dominate – there were 4.5 times as many CD albums sold as digital. Anyone can see that the CD market is in severe decline. Shops that stock back-catalogue in depth have disappeared from many high streets, leaving this market to online retailers like Amazon.

The BPI says piracy is the core problem:

Despite unprecedented demand for music, and strong innovation offering consumers new ways to access music online, legal downloads are unable to offset the decline in CD sales because they are dwarfed by illegal competition.

While this may be true up to a point, another way of looking at it is that technology is making the old purchase model for music obsolete. Digital music is so easy to acquire and share that it is hard to persuade people to pay per-track or per-album. It is also a rather poor deal for the purchaser, in that they get no resale rights or tangible goods.

The BPI does not mention it; but another thing I see frequently is where someone buys a CD, rips it to their hard drive, and then sells the CD on. This also costs the industry a sale.

Old-style piracy is a problem too. The market for Beatles Remasters box sets was badly damaged by far east copies, available in bulk for a fraction of the price. There is no easy way for a customer buying online to know whether or not they are getting the real thing.

Instead, the business model that makes sense is a subscription like that offered by Spotify. There is no pretence that users own the music they listen to: rather, they play what they like where they like, choosing from a vast online catalogue.

Apple seems resistant to the idea though, which is understandable since it does so well with its existing iTunes store. And even if subscriptions do catch on, there is no guarantee that the revenue will equal that of the old days of the CD.

Those days will never return though; and the industry should get behind the streaming model as it is so good for their customers. It also has the advantage that they keep paying, whereas people tend to stop buying music once they feel they have enough.

See also: Mark Mulligan’s post about the death of physical media products.

asus, flash, google, hardware, microsoft, mobile, professional, silverlight, software development, windows

Hardware vendors chase Apple’s iPad at CES with Android, not Windows

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There is a chorus of disapproval on the web today as Asus announced a full-fat Windows tablet  (Eee Slate EP121)  at CES in Las Vegas, along with three other devices running Google Android – the Eee Pad MeMo, the Eee Pad Transformer, and the Eee Pad Slider.

The most detailed “review” I’ve seen for the EP121 is on the Windows Experience Blog. Core i5, 4GB RAM, 64GB SSD, capacitive screen with touch and stylus input.

Nice in its way; but no kind of game-changer since this is an echo of early Windows slates which never achieved more than niche success. Four big disadvantages:

  • Short battery life
  • High price
  • The stylus
  • and another thing: in the rush to embrace touch computing, vendors appear to have forgotten one of the best features of those early tablets: you could rest your hand on the screen while writing with the pen. If you have a combined touch/stylus device that will not work.

Microsoft fans will be hoping CEO Steve Ballmer does not make too much of the EP121 and devices like this in tonight’s keynote. If he does, it will seem the company has learned little from failures of the past.

Asus deserves respect for introducing the netbook to the world in 2007, with the original Eee PC. It ran Linux, had an SSD in place of a hard drive, battery life was good, and above all it was light and cheap. Back then the story was how Microsoft missed the mark with its 2006 Origami project – small portable PCs running Windows – only to be shown how to do it by OEMs with simple netbooks at the right price.

Asus itself is not betting on Windows for tablet success; after all, three of the four products unveiled yesterday run Android. Despite what was apparently a poor CES press conference these may work out OK, though the prices look on the high side.

There will be many more tablets announced at CES, most of them running Android. Android “Honeycomb”, which is also Android 3.0 if Asus CEO Johnny Shih had his terminology right, is the first version created with tablet support in mind.

But why the tablet rush? The answer is obvious: it is because Apple has re-invented the category with the iPad. Since the iPad has succeeded where the Tablet PC failed, as a mass-market device, intuitively you would expect vendors to study what is right about it and to copy that, rather than repeating past mistakes. I think that includes long battery life and a touch-centric user interface; keyboard or stylus is OK as an optional extra but no more than that.

Equalling Apple’s design excellence and closed-but-seamless ecosystem is not possible for most manufacturers, but thanks to Android they can come up with devices that are better in other aspects: cheaper, more powerful, or with added features such as USB ports and Adobe Flash support.

It is reasonable to expect that at least a few of the CES tablets will succeed as not-quite iPads that hit the mark, just as Smartphones like the HTC Desire and Motorola Droid series have done with respect to the iPhone.

Microsoft? Ballmer’s main advantage is that expectations are low. Even if he exceeds those expectations, the abundance of Android tablets at CES shows how badly the company misjudged and mishandled the mobile market.

The implication for developers is that if you want app ubiquity, you have to develop for Android and iOS.

Microsoft could help itself and its developers by delivering a cross-platform runtime for the .NET Framework that would run on Android. I doubt Silverlight for Android would be technically difficult for Microsoft; but sadly after PDC it looks unlikely.

.net, adobe, amazon, apple, cloud computing, flash, intel, iphone, java, microsoft, mobile, nokia, open source, oracle, professional, silverlight, software development, Sun, visual studio, Web, web authoring, windows, windows 7

Ten big tech trends from 2010

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This was an amazing year for tech. Here are some of the things that struck me as significant.

Sun Java became Oracle Java

Oracle acquired Sun and set about imposing its authority on Java. Java is still Java, but Oracle lacks Sun’s commitment to open source and community – though even in Sun days there was tension in this area. That was nothing to the fireworks we saw in 2010, with Java Community Process members resigning, IBM switching from its commitment to the Apache Harmony project to the official OpenJDK, and the Apache foundation waging a war of words against Oracle that was impassioned but, it seems, futile.

Microsoft got cloud religion

Only up to a point, of course. This is the Windows and Office company, after all. However – and this is a little subjective – this was the year when Microsoft convinced me it is serious about Windows Azure for hosting our applications and data. In addition, it seems to me that the company is willing to upset its partners if necessary for the sake of its hosted Exchange and SharePoint – BPOS (Business Productivity Online Suite), soon to become Office 365.

This is a profound change for Microsoft, bearing in mind its business model. I spoke to a few partners when researching this article for the Register and was interested by the level of unease that was expressed.

Microsoft also announced some impressive customer wins for BPOS, especially in government, though the price the customers pay for these is never mentioned in the press releases.

Microsoft Silverlight shrank towards Windows-only

Silverlight is Microsoft’s browser plug-in which delivers multimedia and the .NET Framework to Windows and Mac; it is also the development platform for Windows Phone 7. It still works on a Mac, but in 2010 Microsoft made it clear that cross-platform Silverlight is no longer its strategy (if it ever was), and undermined the Mac version by adding Windows-specific features that interoperate with the local operating system. Silverlight is still an excellent runtime, powerful, relatively lightweight, easy to deploy, and supported by strong tools in Visual Studio 2010. If you have users who do not run Windows though, it now looks a brave choice.

The Apple iPad was a hit

I still have to pinch myself when thinking about how Microsoft now needs to catch up with Apple in tablet computing. I got my first tablet in 2003, yes seven years ago, and it ran Windows. Now despite seven years of product refinement it is obvious that Windows tablets miss the mark that Apple has hit with its first attempt – though drawing heavily on what it learnt with the equally successful iPhone. I see iPads all over the place, in business as well as elsewhere, and it seems to me that the success of a touch interface on this larger screen signifies a transition in personal computing that will have a big impact.

Google Android was a hit

Just when Apple seemed to have the future of mobile computing in its hands, Google’s Android alternative took off, benefiting from mass adoption by everyone-but-Apple among hardware manufacturers. Android is not as elegantly designed or as usable as Apple’s iOS, but it is close enough; and it is a relatively open platform that runs Adobe Flash and other apps that do not meet Apple’s approval. There are other contenders: Microsoft Windows Phone 7; RIM’s QNX-based OS in the PlayBook; HP’s Palm WebOS; Nokia Symbian and Intel/Nokia MeeGo – but how many mobile operating systems can succeed? Right now, all we can safely say is that Apple has real competition from Android.

HP fell out with Microsoft

Here is an interesting one. The year kicked off with a press release announcing that HP and Microsoft love each other to the extent of $250 million over three years – but if you looked closely, that turned out to be less than a similar deal in 2006. After that, the signs were even less friendly. HP acquired Palm in April, signalling its intent to compete with Windows Mobile rather than adopting it; and later this year HP announced that it was discontinuing its Windows Home Server range. Of course HP remains a strong partner for Windows servers, desktops and laptops; but these are obvious signs of strain.

The truth though is that these two companies need one another. I think they should kiss and make up.

eBook readers were a hit

I guess this is less developer-oriented; but 2010 was the year when electronic book publishing seemed to hit the mainstream. Like any book lover I have mixed feelings about this and its implications for bookshops. I doubt we will see books disappear to the same extent as records and CDs; but I do think that book downloads will grow rapidly over the next few years and that paper-and-ink sales will diminish. It is a fascinating tech battle too: Amazon Kindle vs Apple iPad vs the rest (Sony Reader, Barnes and Noble Nook, and others which share their EPUB format). I have a suspicion that converged devices like the iPad may win this one, but displays that are readable in sunlight have special requirements so I am not sure.

HTML 5 got real

2010 was a huge year for HTML 5 – partly because Microsoft announced its support in Internet Explorer 9, currently in beta; and partly because the continued growth of browsers such as Mozilla Firefox, and the WebKit-based Google Chrome, Apple Safari and numerous mobile browsers showed that HTML 5 would be an important platform with or without Microsoft. Yes, it is fragmented and unfinished; but more and more of HTML 5 is usable now or in the near future.

Adobe Flash survived Apple and HTML 5

2010 was the year of Steve Jobs’ notorious Thoughts on Flash as well as a big year for HTML 5, which encroaches on territory that used to require the services of a browser plug-in. Many people declared Adobe Flash dead, but the reality was different and the company had a great year. Apple’s focus on design and usability helps Adobe’s design-centric approach even while Apple’s refusal to allow Flash on its mobile computers opposes it.

Windows 7 was a hit

Huge relief in Redmond as Windows 7 sold and sold. The future belongs to mobile and cloud; but Windows is not going away soon, and version 7 is driving lots of upgrades as even XP diehards move over. I’m guessing that we will get first sight of Windows 8 in 2011. Another triumph, or another Vista?

.net, apple, blogging, development, google, microsoft, software development, windows

What you read in 2010: top posts on ITWriting.com

With three days to go, traffic on ITWriting.com in 2010 is more than 50% up over that of 2009 with over 1 million unique visitors for the first time. Thank you for your attention in another crazy year in technology.

So what did you read? It is intriguing to look at the stats for the whole year, which are different in character from stats for a week or month. The reason is that over a short period, it is the news of the day that is most read – posts like The Java Crisis and what it means for developers. Over the year though, it is the in-depth technical posts like How to backup Small Business Server 2008 on Hyper-V that draw more readers, along with those posts that are a hit with people searching Google for help with an immediate problem like Cannot open the Outlook window – what sort of error message is that?

The most-read post in 2010 though is in neither category. In July I made a quick post noting that the Amazon Kindle now comes with a web browser based on WebKit and a free worldwide internet connection. Mainly thanks to some helpful comments from users it has become a place where people come for information on that niche subject.

On the programming side, posts about Microsoft’s changing developer story are high on the list:

Lessons from Evernote’s flight from .NET

Microsoft wrestles with HTML5 vs Silverlight futures

Microsoft’s Silverlight dream is over

Another post which is there in the top twenty is this one about Adobe Flash and web services:

SOA, REST and Flash/Flex – why Flash does not PUT

along with this 2009 post on the pros and cons of parallel programming:

Parallel Programming: five reasons for caution. Reflections from Intel’s Parallel Studio briefing

This lightweight post also gets a lot of hits:

Apple iPad vs Windows Tablet vs Google Chrome OS

It is out of date now and I should do a more considered update. Still, it touches on a big theme: the success of the Apple iPad. When you take that alongside the interest in Android tablets, perhaps we can say that 2010 was the year of the tablet. I first thought the tablet concept might take off back in 2003/2004 when I got my first Acer tablet. I was wrong about the timing and wrong about the operating system; but the reasons why tablets are a good idea still apply.

Watching these trends is a lot of fun and I look forward to more surprises in 2011.

apple, audio, mobile, reviews

Review: Audyssey iPhone Audio Dock South of Market Edition

How good can a dock for an Apple iPod or iPhone sound? Pretty good, as this high-end South of Market Audio Dock from Audyssey demonstrates. If you think all iPod docks have thin, tinny bass, think again. It also turns out to be a neat speakerphone.

The dock has a distinctive bulbous shape, measuring around 24cm (9.5”) square on its largest side, with the dock mounted on the front edge. The unit is designed to sit on a desk or table and is surprisingly heavy for its size – probably an encouraging sign. Viewed from the front it looks tall and compact.

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The side view though shows that the speakers do have some room to breathe.

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As you can see, the speakers are firing more or less sideways. This is not ideal for stereo imaging, but in practice the dock delivers a wider image than you might expect.

Here is what you get out of the box: the dock, a remote with a battery, a USB cable, and two 3.5mm audio cables.

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Getting started is just a matter of putting the battery in the remote (slightly fiddly), plugging in the power cable, docking your iPod or iPhone, and playing some music. There is also an app you can download that provides some additional settings.

Before going into more detail about what this dock is capable of, let me say immediately that the sound quality is excellent. Words that come to mind are crisp, deep, rich, smooth and powerful. Vocals have real presence. The dock successfully conveyed the drama of a Mahler symphony, the growl of Tom Waits, the complex rhythms and pace of Santana, and the tender emotion of English folk singer Sandy Denny. Once I started playing music, I did not want to stop.

The secret of this high quality is twofold. First, the electronics follows high-end principles. There are four speakers – two 4-inch woofers, two .75 inch tweeters – which are powered by four separate amplifiers controlled by an active crossover. By contrast, a typical home hi-fi would have two amplifiers driving speakers with passive crossovers. Active crossovers mean that the musical signal is divided into the optimum frequencies for each speaker driver at a low level, introducing less distortion and improving control.

Audyssey takes further advantage of this, by using software processing to mitigate the limitations of the speaker drivers. That’s no surprise, since Audyssey specialises in audio processing technology for other manufacturers, which gets incorporated into home theatre and in-car equipment.

According to the specification, there are several techniques implemented in this dock. BassXT extends the bass response by boosting the signal dynamically to flatten the frequency response at a point when it would normally be dropping off. Audyssey EQ corrects “time and frequency response” imperfections introduced by the loudspeakers and cabinets. Dynamic EQ performs frequency response correction to preserve a flat response as volume changes. Dynamic Volume evens out the volume level to compensate for differences in the volume of the source.

Some of these features can be controlled or disabled by a companion iOS app, free to install. Specifically, you can disable Dynamic Volume or set it to optimize for Background Listening; you can apply tone controls including a single tone control called Tilt or traditional bass and treble; or you can set your own custom EQ.

image image

I admit that seems a lot of processing; and it would not have surprised me if the results were worse than pure straight-through audio reproduction. That is not the case though; the unit sounds very good indeed. Given the challenge of getting high quality sound from a relatively small enclosure, taking advantage of digital processing makes sense to me, provided it is carefully implemented at it is here.

Controlling playback

Once you have docked an iPhone and set it playing, you can control it either from the iPhone itself, or from the supplied remote, or pause and play by tapping an illuminated icon on top of the unit (It is not obvious that this is a button, but once you discover it, it is a handy feature; it also has some other functions including answering phone calls and showing Bluetooth status).

The remote has buttons for volume up/down, pause/play, and skip forward or back.

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The Audyssey dock supports Bluetooth and for full features you should pair your iPhone with it and keep Bluetooth on. Now you can stream music from an iPhone even when it is not docked. This can be handy, since the iPhone is easier to use in your hand then when docked. Using Bluetooth, you can undock it with only brief interruption in playback, for example for selecting music. Range seems good, and I was able to detach the iPhone, walk through the door of my study and into the corridor, and the music kept playing – though note that the audio quality will not be as good. I found the quality acceptable though noticeably inferior.

When docked, the iPhone will charge provided the dock is not in standby mode.

There are also buttons on the remote intended for the dock’s speakerphone feature, which deserves its own paragraph.

Audyssey as conferencing speakerphone

The most intriguing feature of the Audyssey South of Market dock is its speakerphone feature. For this to work, you must have Bluetooth enabled.

Scenario: you are enjoying music, when a call comes in. At this point the music pauses, the iPhone invites you to decline or answer the call, and a ring sounds through the dock’s loudspeakers. Tap the phone icon on the remote and you can answer the call while using the dock as a speakerphone.

It turns out the Audyssey dock makes a rather good speakerphone. It performs microphone array processing and echo cancellation to improve voice quality, using front and rear microphones, and in my testing this worked well.

You can also wire up the dock to a computer, using its line in and mic out connections. This lets you use it as a speakerphone with Skype or other Voice over IP providers. Nice idea, though my guess it that this is too inconvenient for most users. Working with the iPhone is more compelling.

Connections

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This is the back panel, showing the microphone output, line in, and USB port. Above the panel is a button for pairing a Bluetooth device. If you connect the USB port to a computer, the docked iPhone will sync with iTunes, though auto-sync can be a nuisance if you frequently dock and undock the device.

Annoyances

Not that many. However, I would like some way to select music from my seat when the iPhone is docked, beyond the simple track skip on the remote. Of course you can do this using Bluetooth streaming, though sound quality may be compromised.

Even with Bluetooth set up, I find that removing the iPhone from the dock pauses the music. I have to tap play to resume it. Re-docking the iPhone interrupts the music briefly but it resumes automatically.

Considering the cost of the device though, it’s a shame that Audyssey does not supply a proper manual; there is an excellent one online [pdf], but the one in the box is just safety warnings and limited warranty, pleasing for the lawyers but not for users.

The stereo separation is good considering it is a single box, but poor compared to two speakers set apart in the normal way.

Summary

The Audyssey South of Market Dock costs more than most iPod/iPhone docks, but in return it delivers superb sound quality along with some well thought-out speakerphone features.

The B&W Zeppelin makes an interesting comparison. The Zeppelin is a little more expensive but has better stereo separation thanks to its 640mm (25.2 in) width, and has a sub-woofer for extended bass. On the other hand, the Audyssey is more compact and could be considered less intrusive depending on what you think of the Zeppelin’s distinctive styling, and the Zeppelin has no Bluetooth streaming.

In the USA it is an easy decision. The Audyssey dock at around $400 is better value than a Zeppelin at around $600. In the UK the fact that B&W is a UK company whereas Audyssey is based in Los Angeles seems to bring the prices closer together: £400 for a Zeppelin versus £350 for the Audyssey dock. Try to hear them both; but the Audyssey dock is not shamed and is still well worth considering.

Compatibility

The South of Market Audio Dock fits:

  • iPhone 4
  • iPhone 3 and 3GS
  • iPod Touch
  • iPod Nano (4th and 5th generation)
  • iPod classic

Price and availability

The Audyssey South of Market Dock costs around $399.00. You should find it at Apple stores among other retailers.

Amazon.co.uk is advertising this dock for availability from 15th January 2011, at £349.99