Category Archives: reviews

Apple iBooks Author aims at school textbook market, but beware the lock-in

Apple claims to “Reinvent Textbooks” with the introduction of iBooks 2 for iPad, along with an accompanying free authoring tool for the Mac.

iBooks Author is already in the Mac App Store and I had a quick look. It is template based, so the first thing you do is to make your choice.

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I picked Contemporary, whereupon the authoring screen opened and I started to make some edits. If you divide Desktop Publishing (DTP) tools into those that are more oriented towards longer books, and those more oriented towards shorter but more graphically rich titles, then iBooks Author is in the former category. You can write the text in Pages or Word, and then import to iBooks Author. You can also add images, charts, tables, hyperlinks, and a variety of widgets including HTML, Keynote presentations, 3D models and more. The format of some of the widgets seems to be Dashcode, as used by the Dashboard in Mac OS X; certainly that is the case for the HTML widget.

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I got a bit stuck on one point. I did not want the astronomy images in the template, but was not ready with an alternative. However I could not delete the image placeholder. It seems that the templates are somewhat restrictive.

Once your work is ready you can preview it. This is interesting. In order to preview, you attach an iPad, open iBooks on the iPad, and then select it in iBooks Author. A nice touch: the book appears on the iPad marked Proof.

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There is also an animation as the book opens. In the grab below, you can spot the busy icon: this is because the smart cover disappears automatically so you have to grab it on the fly.

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What about publishing? You can export your work in one of three formats: iBooks, PDF, or plain text.

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Apple emphasises the licensing agreement right there in the Export dialog. You can only sell your book through the Apple iBookstore. Note also that the book is only for iPad. You cannot read it on a Mac, let alone on an Amazon Kindle, unless you choose PDF and make it available for free.

Here is the agreement in more detail:

B. Distribution of your Work. As a condition of this License and provided you are in compliance with its terms, your Work may be distributed as follows:
(i) if your Work is provided for free (at no charge), you may distribute the Work by any available means;
(ii) if your Work is provided for a fee (including as part of any subscription-based product or service), you may only distribute the Work through Apple and such distribution is subject to the following limitations and conditions: (a) you will be required to enter into a separate written agreement with Apple (or an Apple affiliate or subsidiary) before any commercial distribution of your Work may take place; and (b) Apple may determine for any reason and in its sole discretion not to select your Work for distribution.

I exported the book in iBooks format and took a quick look at the contents in an editor.

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On a quick look, it seems to have a lot in common with a standard epub, but is nevertheless a proprietary Apple format.

Finally, a few observations. I have no doubt that eBook usage will grow rapidly in education as elsewhere, and the iPad is a delightful device on which to read them, though expensive.

I do have nagging concerns though. In typical Apple style, this is an only-Apple solution for authors or publishers who need to charge for their work. Does it really make sense for schools and colleges to recommend and use textbooks that can only be read on Apple devices? Of course publishers can repurpose the same underlying content for other formats, though they will have to be careful how they use iBooks Author to avoid falling foul of the licensing clause quoted above.

Is there no way to reinvent textbooks without an Apple tax and locking knowledge into proprietary formats?

Review: my bargain iPad Bluetooth keyboard from a Chinese market

During my recent visit to Beijing I went along to the Hong Qiao market. It was quite an experience, with lots of fun gadgets on display, mostly fake but with plenty of good deals to be had.

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I did not buy much but could not resist an iPad Bluetooth keyboard. I have been meaning to try one of these for a while. The one I picked is integrated into a “leather” case.

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The packaging is well future-proofed:

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Of course I had to haggle over the price, and we eventually settled on ¥150, about £15.00 or $24.00.

It comes with a smart 12-page manual, which you will enjoy if you like slightly mangled English, though there are some small differences between the product and the manual. A power LED is described in the manual but seems not to exist. The manual makes a couple of references to Windows and in fact the keyboard does also work with Windows, but there is nothing silly like a Windows key and this really is designed for the iPad.

No manufacturer is named, which is odd as the vendor insisted that it is “original”, though the box does say “Made in China”.

The design is straightforward. The iPad slots in to what becomes the top flap of the case. Open the case, and you can set the iPad into an upright position for typing. The lower flap of the case has a magnetic clasp, which works fine. It is a bit of a nuisance though as it gets a little in the way when you are in typing mode. You cannot fold it back to tuck it out of the way.

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I noticed a few blemishes in the case; possibly I had a second-grade example.

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But I have not found any technical problems.

The unit is supplied with a micro USB cable for charging. It did not take long to charge and I think was already half-charged when I purchased.

Here is a closer look at the keyboard itself.

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Once charged, you turn on the power and pair it to your iPad by pressing the Connect button. I had a little difficulty with this until I discovered that you must press down until you feel a distinct click, then it goes into pairing mode. If you then go into the iPad’s Bluetooth settings you will see the keyboard as an available device. Connect, and you are prompted with a code. Type this code on the keyboard to complete the pairing.

The power switch on the keyboard is impossibly small and fiddly to use. If you know how small is a standard micro USB socket you will get the scale in this picture:

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So can you just leave the keyboard on? The keyboard claims a standby time of 100 days, so maybe that will be OK, though the manual warns:

When you are finished using your keyboard or you will be required after the keyboard to carry, so don’t forget to set aside the keyboard to switch the source OFF, turn off the keyboard’s power to extend battery life.

Note: When you normally using the keyboard, or if you are not using the keyboard and didn’t turn off the power switch, please don’t fold or curly, so you will have been working at the keyboard, it will greatly decrease you using the keyboard.

I think this means that turning it off is recommended.

Now the big question: how is it in use? It is actually pretty good. I can achieve much faster text input with the keyboard than using the on-screen option, and it is great to see your document without a virtual keyboard obscuring half the screen.

The keyboard is the squishy type and claims to be waterproof. In fact:

It is waterproof, dustproof, anti-pollution, anti-acid, waterproof for silicone part

according to the manual, as well as having:

Silence design, it will not affect other people’s rest.

which is good to know.

The keyboard has a US layout, but shift-3 gets me a £ sign and alt-2 a € symbol so I am well covered.

There are a number of handy shortcut keys along the top which cover brightness, on-screen keyboard display, search, iTunes control, and a few other functions. There is a globe key that I have not figured out; it looks as if it should open Safari but it does not. There are also Fn, Control, Alt and Command keys, cursor keys, and Shift keys at left and right. Most of the keyboard shortcuts I have seen listed for iPad keyboards in general seem to work here as well.

Learning keyboard shortcuts is one of things you need to do in order to get the best from this. For example, press alt+e and then any vowel to get an acute accent, press alt+backtick and then any vowel to get a grave accent, and so on. Finding the right shortcuts is a bit of an adventure and I have more to discover. Not everything is covered; I have not found any way to apply bold from the keyboard in Pages, for example. I would also love to find an equivalent to alt-tab on Windows, which switches through running apps. There is a Home key which you can double-tap, but then you have to tap the screen to select an app (unless you know better).

I am pleased with the keyboard, though given the defects in the case and irritations like the tiny power switch it is not really a huge bargain. I find it thought-provoking though. Is iPad + keyboard all I need when on the road, or have I just recreated an inferior netbook? The size and weight is not much different.

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Unlike some, I do still see value in the netbook, which has a better keyboard, a battery life that is nearly as good (at least it was when new), handy features like USB, ethernet and VGA ports, and the ability to run Microsoft Office and other Windows apps.

I am also finding that while I like the iPad keyboard for typing, the integrated case has a downside. If you just want to use the iPad as a tablet, the keyboard gets in the way. Maybe a freestanding Bluetooth keyboard is better, like the official Apple item, though that means another item kicking around in your bag.

In the end, the concept needs a little more design work. Having a keyboard in the case is a good idea, but it needs to be so slim that it does not bulk up the package much and gets out of the way when not needed. Perhaps some sort of fabric keyboard is the answer.

Incidentally, if you hanker after one of these but cannot get to the Hong Qiao market, try eBay or Amazon for a number of keyboard cases that look similar to me. Look carefully though; I noticed one by “LuvMac” which lacks a right Shift key, causing some complaints. Mine does have a right Shift key; perhaps it is a later revision.

Hmm, I have just realised that the lady on the stall forgot to give me a receipt or warranty …

Nokia Lumia 800 review: beautiful phone, some annoyances

I have been trying Nokia’s Lumia 800 for the last week or so, the first Windows Phone from the company. It is a significant device, since Microsoft is relying on Nokia to revive its Windows Phone 7 platform which has won only a tiny market share since its launch in late 2010, while Nokia is betting its business on Windows Phone after selecting it in preference to Google Android or its own MeeGo operating system. No pressure then.

The phone is nicely packaged and comes with a free protective skin as well as a fake railway ticket stating “Your one way ticket to amazing.” This is a UK ticket so I presume it is suitably regionalised elsewhere. A small detail, but it formed part of my impression that Nokia has thought carefully about the unwrapping experience, whereas previous HTC Windows Phones have felt like just another phone in a box.

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The Lumia takes a micro-SIM, as used in the iPhone 4.x, and the only one I had available was in my iPhone, so I removed it and popped it in the Lumia. Everything worked, the switch-on and initial setup was good, and I was soon up and running with Exchange email. I did have to install my self-signed certificates for Exchange, but this is not an issue that will affect most users.

This phone has a polycarbonate body and a Gorilla Glass front and feels solid and well-made. The 480×800 screen is bright, clear and responsive to touch. I have not had any issues of laggy or uncertain response to taps.

What counts here is that the Lumia feels like a high quality device; the design has something extra that sets it apart from most smartphones out there.

In terms of hardware features, the Lumia is unexceptional, with volume, on-off and camera buttons on its right edge, speaker at the bottom, standard headset socket on top, and rear-facing camera lens and flash.

I rate the sound through the supplied ear buds as decent, but the speaker is tinny, much worse than that on the iPhone 4. Fortunately you rarely want to play music through the built-in speaker.

The USB connector (also used for charging) is behind a flap. You have to push a small protrusion to swing it open. It is a little awkward at first and a slight annoyance, but I can also see how it improves the appearance and protects the socket.

Although I like the hardware overall, there are a few issues. One is battery life; it is barely adequate, though Nokia says a future update will improve it:

A software update in early December will include improvements to power efficiency, while a second update in early January introduces further enhancements to battery life and battery charging.

How bad is it? Here is a screenshot:

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Do the maths … if 23% is 1 hour then 100% is just over 4.5 hours, not good. Of course this is with active use, mostly email and web browsing. Do not panic about the “Time since last charge” – it was not a full charge!

The Lumia does have a neat feature whereby it goes into a “battery saver” mode which turns off non-essential services to prolong battery life when it is low. Curiously this was off by default, but I enabled it and it works.

Lumia Software

Physically the phone is above average; but what about the software? This bit is mostly Microsoft’s responsibility, though Nokia has done what it takes to make it run sweetly on the Lumia; the user interface flows smoothly and the chunky tiles are easy to tap.

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On an iPhone you get four favourite shortcuts at the bottom of the screen and page through the others by swiping through pages (or you can create groups). On Windows Phone you get eight favourites above the fold, scroll down for more favourites or tap the arrow at top right for the complete alphabetical list which scrolls vertically. It is different but equally easy to use.

You have to tap at the top to see network and battery status; I would prefer to have this always visible but it is a minor point once you know how.

Nokia does supply several apps. Nokia Music is radio without the ads or commentary; you choose a genre and it plays continuous tracks. A decent app.

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Nokia Maps is an alternative to the standard Bing Maps, which is also installed, and seems redundant to me, since it has fewer features. I also noticed several cafes wrongly positioned in my local area, which does not inspire confidence.

Nokia Drive though is worthwhile, offering turn by turn directions and its own set of road maps – though I am not sure how practical it is if you are driving on your own.

The Lumia comes with a mobile build of Internet Explorer 9, and I have found it pretty good in general though of course neither Adobe Flash nor even Silverlight is supported.

Office Hub

The Office Hub is one good reason to get a Windows Phone – provided you use Exchange and SharePoint (though note the annoyance below), or the free SkyDrive, or Office 365. I like the way Outlook on the phone easily handles multiple Exchange accounts, which appear as separate instances.

The Office Hub gives you read-write access to Word, Excel, PowerPoint and OneNote documents, which I personally find useful, even though the editing features are limited.

Me and People Hubs

The Windows Phone 7 OS aggregates a number of social media accounts: Windows Live, Twitter, Facebook, LinkedIn though not Google+. I find this works fairly well, though I found the slightly different roles of the Me tile and the People tile confusing at first. Personally I use Twitter more than Facebook; and I find tweets of people I follow listed in the People app, while my own recent tweets and notifications of tweets mentioning me are in the Me app. I wonder if these two apps could usefully be merged?

That said, Windows Phone does a great job of surfacing your social network interactions and I would guess that this is one of its foremost attractions in the consumer market.

Annoyances

I found a few bugs and annoyances, though I suspect for most of these Microsoft is more to blame than Nokia.

First, there seems to be a bug in the interaction between the maps, the GPS and the direction finding and “Local Scout”, which is meant to find local attractions and facilities.

I saw this today. I was in London and the GPS was working fine, I could tap the “me” button and it correctly located me on the map. But when I asked for directions to a street nearby I got this:

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“No location information”. Something not right there – and yes, I tried again. I also get this sometimes with Local Scout.

Second annoyance: on my Android phone I can connect to my laptop and use the mobile as a 3G modem. Windows Phone has a Mobile Hotspot feature, though it does not work on my O2 connection; I assume that is a carrier issue, but I miss the feature and the direct USB connection works well for me on Android.

Third annoyance: Zune. I do not know why Microsoft persists with the tarnished Zune brand, and it is a mistake to build in this dependency on Windows only desktop software – yes, I know there is also Windows Phone 7 Connector for the Mac. I would prefer to be able to connect the phone to any PC or Mac and have the ability to copy documents and music to and from device storage.

Zune is not too bad when everything is working, though I had a specific issue on the train recently. I had written some notes in a Word document on my laptop and wanted to transfer them to the phone. Zune only syncs music. The only way to get the document from the laptop to the phone would have been via the internet, and that was impossible because the laptop was offline.

Fourth annoyance: SharePoint. I run my own SharePoint server, and while I can easily access it on the internal network, if I try using it from Office Hub over the Internet I get the message “SharePoint doesn’t support this authentication scheme.”

This turns out to be documented:

Unless your organization uses a Microsoft Forefront Unified Access Gateway (UAG) server, you can only access a SharePoint 2010 site if you’re in the office and connected to your organization’s Wi-Fi network.

That is not what I consider a detailed technical explanation and maybe there is a workaround; but it is annoying when Microsoft cannot get its own products to work together properly. Note though that SharePoint in Office 365 works fine.

Fifth, I had to sign up for a paid developer account in order to install a screen capture application. This is why many Windows Phone reviews have no screenshots. How difficult would this be for Microsoft to build in?

Sixth, I have found Local Scout near-useless. This is mainly because of lack of momentum; it needs more data and user reviews to be useful. However I have also noticed that a restaurant near me which closed a while back is still listed even though I have twice reported it closed through the “Tell us this place is closed” link, the first time two months ago. It makes me wonder to what extent this database is actively maintained; inaccurate information can be worse than useless.

Windows Phone Apps: still a disappointment

The biggest disappointment deserves its own heading. This is the apps available in the marketplace. When I go to the Apple or Android stores I see dozens of apps that look interesting; in the Windows Phone store on the other hand I struggle to find excellent apps. The number of apps in the marketplace is less important than the quality, and here Windows Phone 7 still seems to fall short.

If I go to the marketplace, choose the category of All apps, and then select Top (which I presume ranks according to popularity and rating) it is interesting that they are all games and mostly from Microsoft Studios:

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Games are important, but that does not look like a healthy ecosystem to me.

Could this be an opportunity for developers? Since Nokia World in London at the end of October I have seen a dramatic increase in profile for Windows Phone; it is what Microsoft should have achieved at the original launch a year earlier. We will not know numbers for a while, but there must be more of these things going out, with new users looking for apps.

The Camera

I am not reviewing the camera in detail here. The quality is good though the images seem a little “cold” to me, which means I suppose that the colours are not as vibrant as they should be. I will not press the point though; it is a decent camera and good enough.

Summary

This is a beautiful phone and the only showstopper problem is the poor battery life. If Nokia fixes this, we are left with what seems to me the best Windows Phone 7 implementation yet, despite a few annoyances which are mostly in the Windows Phone 7 OS and its core apps rather than being the fault of Nokia.

There are a number of things to like: social network integration, the Office Hub, Mix Radio

Nokia’s Windows Phone launch has made more impact than I had expected. Microsoft and its partners need to follow through with faster updates, and to work on quality rather than quantity in populating the app Marketplace.

Review: Quadrophenia director’s cut

This might be my favourite album ever.

It connects somehow, the frustration of My g-g-g-generation extended to an entire double album, played with the frenetic energy and genius of The Who, and intermingled with a dash of Pete Townshend’s mystical leanings. I am the sea.

It is not only the music, the whole package was perfect when it arrived in autumn 1973. The black and white cover with the scooter and the four faces of the band reflected in its mirrors, and a breathtakingly good series of monochrome photographs. If any record deserves a deluxe edition, this one does.

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And here it is – or is it? What we have is something half-way between the sumptuous, informative, historic collector’s edition which the album merits, and the kind of money grabbing release you get when some record company notices how much people are paying for boxed sets these days and says, “Quick, let’s get Quadrophenia out before the CD market disappears completely”.

Because there is a lot wrong with this release.

Still, time to stop rambling and tell you what you get. Within a very solid slipcase you will find a poster advertising the original double album (actually this is a fine reproduction and one of the better things here), a colour envelope holding various bits of memorabilia: reproductions of some of Townshend’s draft lyrics, a rather darkly reproduced colour photo of Jimmy (the central character) on a scooter, and a 7-inch single of 5.15 backed with the slightly rare track Water.

Then there is the main event: a 100-page hardback book of photos and an essay by Townshend, within which nestle the original double CD, a DVD with 8 tracks remixed for 5.1 surround sound, and two CDs of Townshend’s demos for the album.

The book is certainly nice to have, though bear in mind that the original album came with a 46 page insert which is all included in the book, so that accounts for nearly a quarter of it. I am also upset to report that the quality of those wonderful photographs is poor; I was really hoping that I would get better copies than those in my falling-apart LP but in fact these are noticeably worse; they have that grainy look you get when photos are reprinted from a print rather than from the originals.

Still, the *other* photos in the book are nicely reproduced and the essay is fascinating if you love Quadrophenia half as much as I do. Townshend recounts how he came up with the story that is printed in the front cover of the LP (and also here), when remembering how he slept under Brighton pier once “after a riotous night at the Aquarium ballroom.” He also describes how the album came together, how it was recorded, and adds notes on the songs and demos.

If you are a fan, you will definitely want to hear the demos too. They form a sort-of alternate version of the album, lacking the Who’s energy but with its own appeal. There are also songs here that are not on the album, and others that did not show up until the soundtrack of the Quadrophenia film. Some of the songs have overdubs which I personally would rather had been omitted.

The 5.1 mix is enjoyable too. This album is ideal for surround sound, especially at those moments when sea noises swirl around.

It’s curious though that only 8 tracks have been mixed to 5.1. Why? But the rest of 5.1 Quadrophenia is not the only thing missing.

The important thing to realise is that this is Townshend’s deluxe box, rather than The Who’s deluxe box. I have not spotted any contribution to the package from Roger Daltrey, despite his massive contribution to the quality of the album, nor even any attempt to collect existing quotes from the two members of the band who are no longer with us, Keith Moon and John Entwistle. There are no outtakes from band sessions, nor are there any live tracks from when Quadrophenia was performed live back in the day; yes I realise that the concerts at the time had some problems but I would still love to hear how they sounded.

Quadrophenia was remixed in 1996 and it is the remix that is offered here (it sounds the same as before), but for completeness I would have liked both mixes to be included, in line with what has been done in deluxe boxes for other classic albums such as Jethro Tull’s Aqualung and King Crimson’s In the Court of. To my mind the original mix is still important, the Quadrophenia that is as I first heard it in the seventies.

So this is a frustrating production, much less than it should be; but then again frustration is what Quadrophenia is all about so that is curiously fitting.

Fans will still want this package, hard though it is to justify the cost – especially when you consider that 11 of the 25 demos are also on the Deluxe 2-CD set at one sixth of the price, and that even more memorabilia is also available online at the new Q-Cloud site, accessible to anyone who has purchased or ripped the CD.

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And I suppose when and if the full 5.1 release is done eventually we will be asked to pay again.

    

Review: Broadway 2T network TV streamer for PC and iPad or mobile device

If you feel like watching TV on your PC or mobile device, there are a host of options, including live TV on the internet, or add-on TV cards or USB devices that attach to a PC or Mac. Once you have TV playing on your computer, there are apps which will let you stream it to a mobile device such as an Apple iPhone, iPad or Android tablet.

Another option which I saw at the recent Digital Winter event in London is Elgato’s eyetv, which attaches to an iPad port, and the portable tivizen which streams TV over wi-fi.

Lots of options; but also plenty to go wrong. Most of the devices use DVB-T digital TV, which in the UK enables all the Freeview channels, but getting a good enough signal from a portable aerial is a challenge. Installing a PC card works well if you connect it to a rooftop aerial, but it does mean messing with drivers and application software; and then further hassles if you want to watch elsewhere in the house.

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Broadway 2T, from pctv systems (part of Hauppauge Digital Inc) takes a more flexible and potentially hassle-free approach. This is a TV card (not HD) with internet streaming software in a wi-fi connected box. Plug-in, and you can stream TV on any device round the house, or even over the internet when you are out and about.

That is the idea anyway, and I put it to the test with a review unit. It is a box about the size of a stack of 4 CDs, with twin aerials for wi-fi connection.

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On the back are a range of ports, including wired ethernet, TV aerial, inputs for analog CVBS and S-Video and audio, two USB ports and an IR blaster connection.

There is also a USB port on the front; but all the USB ports are documented as “for future use”. It would make sense if in some future version you could connect directly to a PC over USB; but why three ports will be useful in future is something of a mystery.

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There is also a collection of cables: power, internal aerial, ethernet, IR blaster marked “For future use” but now enabled, and screws for wall mounting.

I have what is probably the ideal setup for Broadway 2T: a rooftop aerial connection and wired ethernet with a wi-fi access point. The internal aerial is unlikely to be much use unless you live in a area of particularly strong signal.

I connected the unit and fired up a web browser. If you browse to http://distan.tv/ the remote web site runs a script that detects the local PCTV, so it is no trouble to find on the network. I ran the setup wizard, including a channel scan and setting passwords for admin and TV access, and was rewarded with 44 channels found.

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Next, I browsed to the page on iPhone, iPad and PC and was able to select a channel and watch straight away. No drivers needed; and the Flash video on a PC is replaced by an iOS-friendly H.264 stream automatically when needed.

Here it is on an iPad; PC is similar.

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and on iPhone

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Of course there is a full-screen view.

You can also get at all the settings from any web browser.

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So far so good; but one flaw is that there is no program guide in the web view. You have to discover what is on elsewhere.

The next step was to install the PC software (Windows only) which adds features including a program guide, pause/resume and recording. This involves installing an application called TV Center from the supplied CD.

At this point the hassle-free experience disappeared. The software installed but while it detected the Broadway 2T, it could not find any channels. I also puzzled over the settings. Did my unit have an Antenna, or an Aerial system? Why was the Antenna Configuration option disabled?

The CD also installs a driver for Windows 7 media center, and I tried that too. Again, the unit was detected, but no channels found.

Eventually I discovered that you need to install a patch from the PCTV web site before the PC software or Media Center will work with Broadway 2T firmware above 2.5. After that, the TV Center application worked, but I still found it unpredictable and not much fun to use. Sometimes it opens as a transparent window, and has to be coaxed into displaying TV by twiddling with the settings.

Microsoft’s Media Center software is nicer to use, though it is really designed for use with a remote. A bonus though is that if you do not mind keeping your PC on, you can use the Media Center nicely from an Xbox 360.

The Broadway 2T has dual DVB tuners, which is meant to mean that you can record one channel while watching another, or watch different channels on different devices. This does work, but I found the unit reluctant to let go of a channel even when not actually playing, which causes errors.

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I feel that the application could handle this better. For example, why not show a list of which channels are in use and give an option to turn one off? On occasion I resorted to rebooting, which you can do through the browser.

Overall the software is indifferent in quality and lacks polish.

If you want to view over the internet while out and about, you can do this by forwarding a port on your router to the Broadway 2T box. It would be best to reserve its IP address or use a static IP before doing this. The port is 80 by default, but can be changed. Remote viewing works fine provided that you have a good wi-fi connection. If you succeed in watching over 3G, beware the high data transfer as well as poor quality if the connection is weak.

The IR Blaster lets you use Broadway 2T with a set-top box such as satellite TV. Connect the output from the box to the input on the Broadway 2T, then connect the IR Blaster cable so that the Broadway 2T can control the set-top box by emulating the commands of a remote control. I did not try this feature.

Summary and verdict

I enjoyed having live TV available on any network-connected device around the house, and this combined with easy setup of the browser-based streaming is the main advantage of the Broadway 2T. Viewing TV remotely is a bonus.

The poor quality of the Windows-only software counts against the unit though, and I would have preferred a better browser-based app and to forget the PC application.

It is easy to imagine how this could be improved. Attach some USB storage, improve the server app, and there is no reason in principle why this box could not handle PVR (personal video recorder) functions as well as supporting an EPG (Electronic Program Guide), though I have no idea what PCTV has in mind for those spare ports.

Nevertheless, this is a useful device even with its current limitations.

Bridge for Apple iPad and iPhone: FunBridge upgraded, no longer free

GOTO Games has updated Funbridge for iOS to version 3.0, adding many features and introducing a per-game fee.

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FunBridge is a Contract Bridge app in which the play is always online. You play against the computer but compare your score to that of others. In this new version the game engine seems little changed, but interaction with others is much greater, making it more like the web version.

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In the earlier release, you could see your ranking and which users were in the top 10 for a tournament of 10 games, but you could not discover anything about another user beyond the username. Now there are user profiles and you can see another user’s overall ranking and, if they choose to provide it, name, age, location and About me notes.

Tournaments no longer stand alone, but are grouped into series which match you with players of similar standard. Rankings are decided after each period of a week, based on the results from short 3-game tournaments, provided you play at least 5 during the period. There are 35 series, and after each period the top 25% are promoted and the bottom 25% demoted from each.

You can also play in old-style Daily Tournaments, which are now more frequent than before with a new one every two hours, but these are not grouped into series. You can also play practice hands. The Daily Tournaments and practice hands are scored with IMPs (International Match Points), whereas the Series Tournaments are scored with pairs-style percentages; if you score just slightly more then others, you get 100%, and even a good score can get you 0% if everyone else made an overtrick.

The other big change to mention is that play is no longer free, though you get an introductory 100 games.

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Games cost from 3p each falling to 1.75p if you purchase 1000 at a time. FunBridge will give you 5 games free if you reveal your birthday and another 5 for your city. Is your birthday worth more than 15p?

This makes FunBridge expensive compared to most iOS games. It is a different model to the web version, where you pay €9.90 per month (a bit less if you subscribe for a year) for unlimited games. That would buy around 400 games on the iOS version so you win or lose depending how often you play.

The game itself truly is a lot of fun, though I have found a few frustrations. The play is generally good, though eccentric occasionally. The bidding can be perplexing, especially as the bidding conventions are not described in detail, so you have to guess exactly which variant the computer is supposed to be playing. There is help for the meaning of simple bids, but this does not always match the selected convention and cannot be trusted.

Still, everyone is in the same situation so it is fair!

Hands seem to be tilted towards interesting deals; I have never seen a 10-card suit in one hand in regular bridge but I have in FunBridge.

Gameplay can be annoyingly slow even on a good connection; though perhaps when everyone has played all their free games this will improve!

A fun game; but with the new subscription model I wonder if we will see some alternatives at lower cost. It would also be good to see a version for Android and other mobile operating systems.

Review: Dragon NaturallySpeaking 11.5

Nuance Dragon NaturallySpeaking is a voice dictation system for Windows, and there is a similar but not identical version available for the Mac. I have been trying version 11.5 in its Premium edition.

Voice recognition is interesting on several levels. Dictation can be quicker than typing, avoids repetitive strain injury, and for some users may be the only practical way to input text and control a computer.

Voice control is also a computing aspiration. In science fiction novels and films from 40 or 50 years ago, the characters use voice to interact with computers like Asimov’s Multivac or Kubrick’s HAL in 2001: A Space Odyssey as a matter of course. It has proved a difficult problem though, and even the best voice recognition systems are frustrating to work with, since mistakes are frequent and corrections difficult.

That said, Dragon NaturallySpeaking is the best I have used. Let me answer a few questions:

Q: Is Dragon good enough to use for real work?

A: Yes. Fire up Dragon, then Microsoft Word, start dictating, and you can write a document without too much pain. Of course there will be errors, but Dragon has an excellent correction system. In the following example, I said “The reason” but Dragon heard “Losing”. I then spoke the command “Select losing” and Dragon popped up a selection box.

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Now I just have to say “Choose 1” and the error will be fixed.

It is not always so easy, and you may have to spell words like place names and specialist vocabulary, but Dragon learns and you get better at dictating, so perseverance pays.

Dragon has a sidebar which is great when you are learning the system, as it shows brief contextual help for the most commonly used commands. It does occupy significant screen space, so best used when you have a large screen or more than one display.

Q: What is the key to success with dictation?

First, use a good microphone. Some editions of Dragon come with a Plantronics Bluetooth headset, which is ideal for the task. Trying to dictate using the mic built into a laptop, or one of those cheap gaming mics, will only lead to frustration.

Second, be patient. Your first day or two with Dragon will be frustrating, but it gets better.

A quiet room also helps, but with a headset this is not so critical.

Q: Is Dragon good enough that you would use it by choice, even when you could use keyboard and mouse?

For me, not yet. I type professionally, so I am pretty fast, and I do find Dragon gets in the way. If I could reel off a few thousand words in one blast, I might use Dragon, but in practice I find I need to task-switch frequently, checking a fact, searching the web, finding a screenshot, or listening to an interview. You can do almost anything in Windows using Dragon, but using a mouse and and keyboard is much quicker. If you use Dragon just for dictation that is fine, though you do have to set Dragon to stop listening when you are performing other tasks, otherwise Dragon will do something unexpected.

Work patterns vary, and some voices are easier than others for Dragon to interpret, so this is a matter of individual preference.

Q: Do you need Dragon when Windows has its own voice recognition system?

I did a quick test. I read the following paragraph, from a guide book that happens to be close by:

Original:

This little book is not properly a “guide” but rather a collection of random notes and thoughts, and I have published it mainly as a souvenir for those who make a short journey from Wroxham with Broads Tours.

Windows 7:

This little book it is not properly A “guide” but rather a collection of London dates and courts, and I had published in mainly as a souvenir for those who make a short journey from locks on withdrawn schools.

Dragon:

This little book is not properly a “guide” but rather a collection of random notes and thoughts, and I have published it mainly as a souvenir for those who make a short journey from locks and with Broads Tours.

Not a rigorous test; but with my voice and on this particular passage Dragon is well ahead, and that accords with my general impression. I do think the Windows system is usable, but the extra cost of Dragon is worth it if you expect to use dictation frequently.

Q: Any other snags with Dragon?

Yes. Dragon hooks deeply into Windows, as it must do in order to control things like window switching and mouse movement, and I saw an impact on performance and stability. I suspect this can be improved by fine-tuning Dragon’s configuration and by keeping Windows as plain as possible. It also seems to work much better with software for which it is specifically designed, such as Microsoft Office, than with generic text input into software it does not know about, such as Windows Live Writer.

Q: What is new in version 11.5?

Dragon NaturallySpeaking 11.5 is a free upgrade from 11. The most obvious new feature from 11 is that you can use an iPhone as a remote wi-fi microphone. I tried this, which requires creating a new profile specifically for the purpose, and found it works nearly as well as with the Plantronics headset. However, the headset is a lot more convenient so I am not sure what is the benefit.

There are also new commands including “Post to Twitter” and “Post to Facebook”, and both the user interface and the voice recognition engine have been fine-tuned in this version.

Finally, version 11.5 specifically supports Windows 7 SP1 and Internet Explorer 9.

Q: Any other features worth mentioning?

The Premium edition has a transcription feature. No, this will not successfully interpret your recorded interview, though I suppose this might work in ideal circumstances. Rather, it is intended to let you dictate into a recording device for transcription later. This is an interesting way of working. It is easier to pause and restart a recorder than to interrupt a live dictation session, and Dragon can take more time over analysing a recording than when it has to keep up with your voice.

Concluding remarks

Nuance Dragon NaturallySpeaking gets significantly better with each new version, tipping me further towards the point where I may start using it in preference to typing. It is not only a matter of improved algorithms, but also more powerful hardware that enables Dragon to do more intensive processing. Although I am not quite ready to use it myself day to day, I think this is a brilliant product, and would not hesitate to recommend it. I also think it is inevitable that voice dictation will eventually become the norm for text input, at least in quiet environments, as the technology continues to improve.

   

Review: The Bowie Variations by Mike Garson

I am a big David Bowie fan (as I guess will be most purchasers of this CD) and first noticed Garson’s work in the magnificent, edgy accompaniment to Aladdin Sane – specifically, that track, though he makes a great contribution to the entire album.

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Garson played on many of Bowie’s albums, from Ziggy Stardust through to Reality, and made a key contribution to the sound. I particularly like his work on David Live, Bowie’s live album from 1974, but it is consistently good, which is no doubt why he remained part of the band.

This CD is I guess a kind of tribute and reflection on his work with Bowie; one of the tracks is actually called Tribute to David. Garson performs solo piano variations on a number of Bowie’s songs. Note that these are variations, not performances as such, and since Garson is a creative jazz pianist they really are variations; in some cases it takes a while to work out what the song is, even if you know Bowie’s version well.

The performance is excellent, and the recording quality is outstanding. Nevertheless I was a little disappointed; found it a little too mellow and smooth for my taste. Perhaps Garson needs the interplay with the band to spark that edgy quality that I love.

Review: Audéo Perfect Fit earphones

Audéo Perfect Fit earphones are designed to replace the set you got bundled with your smartphone or music player. The earphone set includes a microphone and a standard multi-function button, so that on an iPhone or many other phones you can answer or decline calls, pause and resume music, or skip to the next track.

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There are a few unusual features. One is the shape of the earbuds, which have a distinctive “leg”. In order to fit them you first attach one of a range of silicone or foam ear tips. Then you place them in your ear with the legs pointing up and forward, and the cable draped over the back of the ears. It sounds fiddly, but it is easy enough in practice, and gets you a secure and comfortable fit.

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The supplied manual does an excellent job of explaining fitting. There is also an optional ear guide which adds a shaped cable clip that hooks over your ears. This was not supplied with my review package, the PFE 02x, but does come with the more expensive PFE 12x or can be purchased separately. I found the fit was fine even without the clip.

The extra accessories, including the audio filters described below, are a point of confusion, as the manual in the PFE 02x lists them under “Package contents” even though they are not supplied. No doubt some customers complain that parts are missing; I would have done the same, except that I checked the product web site and external packaging which correctly shows that the only accessories in the PFE 02x pack are the silicone ear tips.

The next special feature is that each earbud is fitted with a passive audio filter, which can be changed according to preference. The PFE 02x comes with a single green filter, which you can see in the picture above, while the PFE 12x comes with gray and black filters and fitting tool.

The colours are significant. The black filters are said to amplify bass and high frequencies (what audiophiles call boom and tizz). The gray filters are meant to emphasize mid-range frequencies, while green are described as offering “perfect bass”.

According to Audeo:

In-house studies have shown that, when headphones exactly reproduce the response curve of the unobstructed ear, most people hear the sound as being very aggressive.

The response curve of Audéo PFE in-ear earphones is a compromise between a frequency range that compensates for the curve of the unobstructed ear and one that emphasizes bass and high-frequency sounds. This is what most people prefer.

In order to cover the widest possible range of user preferences we offer three audio filters.

Unfortunately the only filter I have tried is the green one supplied with the PFE 02x. However I am a little doubtful about the above explanation. The goal of hi-fi reproduction is neutrality, so that you hear whatever the musicians and engineers who created the sound intended. I appreciate though that when it comes to earbuds used on the move in all sorts of noisy environments, it does not makes sense to be purist about such things. Further, it is not realistic to expect earbuds to deliver the kind of bass you can get from full-range loudspeakers or even from high quality over-the-ear headphones, and indeed this is not the case with the Audéo. Still, what you care about is not the theory but the sound. How is it?

I carried out extensive listening tests with the Audéo earphones, comparing them to a high quality Shure earbuds as well as to a standard Apple set. My first observation is that the Audéo earphones do fit more snugly and securely than either of the others I tried, when fitted correctly, and that this close fit goes a long way towards obtaining a better and more consistent sound.

Second, I soon identified a certain character to the Audéo sound. In comparison to the Shure, the Perfect Fit earphones are slightly softer and less bright. On some music this was a good thing. I played My Jamaican Guy by Grace Jones, which has a funky beat and bright percussion. On the Shure the track was a little harsh, whereas the Audéo tamed the brightness while still letting you hear every detail. With Love over Gold by Dire Straits though, which is already a mellow track, I preferred the Shure which delivered beautiful clarity and separation, whereas the Audéo (while still sounding good) was less crisp. Daniel Barenboim playing solo piano sounded delightful though with slightly rolled off treble.

I did feel that both the Audéo and the Shure improved substantially on the Apple-supplied earphones, as they should considering their price, though even the bundled earphones are not that bad.

The strength of the Perfect Fit earphones is that they never sound bright or harsh; I found them consistently smooth and enjoyable. The sound is also clean and well extended, considering that they are earbuds. Isolation from external sounds is excellent, which is important if you are a frequent traveller.

The weakness is that they do in my opinion slightly soften and recess the sound.

That said, it may be that the other filters give the earphones a different character, and if you have the pack with a choice of filters it would be worth trying the variations to see which you prefer.

I may have been imagining it, but I felt that the earphones sounded particularly good with Apple’s iPhone.

Conclusion: a good choice, especially if you like a slightly mellow and polite presentation. If possible I recommend that you get the more expensive packs that include a case as well as alternative filters and the optional ear clips.

   

Monitor your home when away: Jabbakam IP camera service reviewed

About to head off for your summer break? What may happen back home is always a concern; but if you want a bit more piece of mind, how about a live webcam view of what is going on in places you care about?

Of course you can easily purchase a security camera kit from your favourite electronic hobbyist store, but it is not a complete solution. Recording video to a hard drive is all very well, but what if the thief takes a hammer to it or even nabs it? Further, returning home to find two-week old footage of a break-in is of limited use compared to a live alert.

In other words, you need not only a camera but also a service. This used to be expensive, but does not need to be in the internet era. What about a cheap camera that sends images to a web site, enabling you to log in from anywhere and check what is going on? And how about an email or SMS alert triggered by motion detection?

This is exactly what Jabbakam does. The basic kit costs £59.95 and £5.95 per month, for which you get an IP camera and 14 days of video footage stored online. You can also use your own camera if you have a suitable one; the main requirement is that it supports motion detection, enabling the alerting feature, and reducing the number of images that need to be sent to the web service. More expensive subscriptions store video for longer; £13.95 per month gets you 90 days. SMS alerts cost extra.

Developed by a company based in Guernsey, the product is not so much the camera, but rather the web application and service. The camera itself is a simple but well-made affair, with a wall-mountable bracket and a swivel joint that lets you angle it. You can also adjust focus by twisting the lens.

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Under the webcam are ports for wired Ethernet and power.

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Given that the serial number starts YCAM I have a hunch it may be made for Jabbakam by Y-cam.

The camera must be wired to your broadband router. If you are on a business network you may have firewall issues; I tried on my own network and found it did not work behind the firewall, but have not investigated in detail.

So how about the service? I signed into Jabbakam and found that set-up was pretty much IJW (It Just Works). The camera was detected and I could view live images. Video is a slightly generous term, since each image is one second apart, and the quality is not fantastic, but gives you a good idea of what is happening. You can add additional cameras if you want fuller coverage of your home or workplace.

I also set up email alerting. This seems to work well. When the camera detects movement you get an email with a still image attached. Click the link in the email, and you can view the video. There is also an iPhone app that shows recent images. Advanced settings let you schedule alerts, for example to avoid having them active when you yourself are moving around.

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Jabbakam is not just intended for security. The web service also has the concept of networks, which enable you to share your camera with others. The number is small at the moment, but I did see one called Birdboxes of Jabbakam which I guess is for ornithology enthusiasts.

There was one aspect of Jabbakam that I found troubling. A mash-up with Google Maps lets you see where cameras of other users are installed, and clicking on a camera gives you the name and address of the user and a link to send a private message:

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I discovered that this information sharing is on by default:

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This surprised me, as I would have thought that a typical Jabbakam user would be sensitive about sharing these details.

Finally, I should mention that Jabbakam has a RESTful API for developers, though the documentation is incomplete at the moment and the application showcase is empty. Apparently this is being worked on, so watch the space if you are interested.

A good buy? On the plus side, Jabbakam seems to me nicely done, easy to set up, and delivers what is claimed: remote video monitoring of any indoor location. The alert service is particularly useful, though this only works if the camera is pointing somewhere that should normally be motion-free. For example, pointing the camera at a car parked on the street outside your home might seem a good idea, except that the alert would go off every time someone walked by. I should also observe that the supplied camera only works indoors, so it would need to be at a window.

There are questions of course about the effectiveness of CCTV security. Blurry pictures of hooded figures may not do you much good in terms of identifying the villains, though the alert service could be an advantage.

What are the social implications if large numbers of people choose to stick surveillance cameras all over their homes? I am not sure, but it is a question worth reflecting on.

That said, for someone on holiday who would like the ability to check that everything is in order at home, this seems to me a neat and smart solution.